All copyright © 2003 remains with the authors.
All copyright © 2004 remains with the authors.



Snapshots
Árni Ibsen






SNAPSHOT 10

a white emptiness
framed
by a rectangle of dirt
on the wall
where grandfather's photo
used to hang
an intense silence
framed
by my awareness
of this house
where grandfather's footsteps
could be heard

Árni Ibsen, Hafnarfjördur, Iceland.10:30 p.m., 7/03/03

***


Snapshot 11:

[a lesson in dramaturgy perhaps]

a friend calls me with a
denouement problem halting
her progress she describes
the scenario and starts
thinking aloud and for a while
i'm lost in the process
as well as the progress until
something clicks and we start
dreaming together discussing
resemblances recognizables the
sea the land the fascination
the seashore holds waves breaking
or gently lapping simply childhood
motherhood fatherhood opposites
differences sadness birth loss
post-natal depresssion and the
male's mental substitution for it
interplay and textures love and
society lorca and plato plus the
the significance of a familiar
folk-tale where a seal gives
birth to a human child the in-
compatibility of the two doomed
to separation and in time
having gone with the tide
the ebb and the flow
it all falls into place so
separation becomes natural

Árni Ibsen
Hafnarfjördur, Iceland
Around midnight
7/09/03

***


A replacement has occurred,
as it were, it's like he said,
more or less, the heat
of this world is a constant
quantity. For each place
that gets cold, somewhere else
gets hot. And vice versa.
As soon as the heat lets go
of Britain it kicks us
in the teeth. No matter how
this country shakes its name
like a spear, rattling
its icicles, the heat kicks
its heels in. Looks like we're
in for a long haul of
mediterranean pretence.

Árni Ibsen
Hafnarfjördur, Iceland, 10.22pm
7/16/03

***


SNAPSHOT 13 (a)

clear sky silent
streak of white
vapour caught
by sun silver cylinder
of people cylinder of
desires cylinder
of destinations

Árni Ibsen
Hafnarfjördur, Iceland, 10:45 a.m., 7/23/03

SNAPSHOT 13 (b)

caught in the middle
of a small chorus line
facing the conjoined wall
to wall mirrors in
the rehearsal room
reflecting those
on either side of me
while the 'I' has
disappeared between
the warped edges
cramped between two
separate convexes

Árni Ibsen
Hafnarfjördur, Iceland, 12.15pm

***


SNAPSHOT 14

in the way those
skewed namesakes
Georg and Igor
and Jorge too are
farmers in essence
separately caring for
their bountiful lands
tending the earth
gathering harvest
unwitting brothers
in arms yet severed
yet split by languages
separated through time
I am severed in time
between languages
caught between the
said and the unsaid
the sayable and
the unsayable the
lived and the
yet to be the text
and the assumed
undertext awaiting
to hear my lookout
yelling land land a
new found land a new
sound land my lieu mound
land you hound land
where all's said
and yet said again a
gainsay land a see-saw
land a twofold land
three fold (even) land
where all's found yet
keep searching till
it's you found land
all over again your
very own new found land
where a commune is
called Georg and
Igor and Jorge pay
him a visit sometimes
and their spirited
stories and sensitive
laughter fill the forest
making the field grow

[Note: by happy chance 'fold' is a proper word in Icelandic too where it means earth']

Árni Ibsen
Around midnight 7/30/03 Hafnarfjördur
Iceland

***


SNAPSHOT 15 august

6

killing

heat

candles

floating

dusk

calm

pond

reminder

stupid

might

first

hunch

unseen

film

x-rated

nudity

hiroshima

mon

amour

Árni Ibsen, hafnarfjördur, iceland, 6:30 p.m.

***


SNAPSHOT 16: IN STOCKHOLM

for Ylva Hellerud

ringing the bell
awaiting response
looking at the names
i realize i may have friends
residing in strindberg's
last place of residence
on top of drottninggatan
under august "falaise"-like
cloud formations with
august's troubled head
obscured and upside-down
as in his own falaise-painting
my own face on foreign
shores upside-down where
i fool myself i speak
the language and fool
myself i may function
in spite of august i get
answered in english
whenever i open my mouth
to utter their language
still breathless after
the wonders of the vasa
museum where the
swedes have the
confidence to display
an ancient war machine
anno 1628 that
sank on its maiden
voyage due to faulty
design and a ballast
that was grossly
miscalculated deaths
were anonimous then
unanimous even the
salvage was the greater
victory the 1950s
divers the victors and
there's no response
so i turn away from
the bell and the names
on the door all so familiar
although virtual aeons
separate them i'll
come back tomorrow
weather permitting
unless i call the august
strindberg so listed
in the 2003 stockholm
telephone directory
to ask if his museum
is up to scratch
and should i
visit ... ?

Árni Ibsen, vickersgatan 15, sšder, stockholm
11:00 pm

***


SNAPSHOT 17

autumn slowly slips into

the green on the leaves

slowly slipped into

our heads is yet

another political lie

a foetus six weeks old

slowly slips out

in a trickle of blood

Árni Ibsen
hafnarfjördur,iceland.
after 10 p.m. august 20, 2003.
***


SNAPSHOT 18

sod it! o sod
it's overcast now
mars is a-close
a-rising so red
so round so happily
drunk there
in the east after
60.000 years
of neglect
somewhere
that fart
behind
those clouds
those perfectly
useless clouds could
see him none the less
from elsewhere
last saturday
caught a plane though
back home
which he must've
missed the fool
i did hand him
his ticket paid for
dearly and missed it
that stone-age troglodyte
can't even see me now
wherever he is and yet
i'm shining
a biggish red
and o
so perfectly round
on his perfectly
clouded
blinding
horizon

Árni Ibsen
10:30 pm, august 27,
hafnarfjördur, iceland.

***


SNAPSHOT 19

first low-pressure
of the autumn
pelting rain
from all sides
wind upsetting
garden gnomes
tearing leaves
still green from
their branches
unprepared
the place
familiar now
weâre back
in our natural
habitat the
occasional ray
of sunshine
stabbing through
the concentrate
of clouds as
the disgruntled
gnomes pull
each other back
on their feet
and offer trauma
counseling to the
disheveled leaves

Árni Ibsen
stekkjarkinn 19, hafnarfjördur, iceland
midnight, september 3, 2003

***


SNAPSHOT 20

alexis korner
sat in his corner
singing the blues to me
a very thorough re-
treat to the 1960s
thank god for
recordings
and now there's
that chicago beau
paul butterfield
blowing
his hurtful
harmonica to
smithereens and
it's been a peculiar
kind of day
not to put too fine
a point on it
very varied very
fuzzy there's a word
in my native tongue
keeps butting
my head now
it's ãtrafä which
can mean either
ãbandageä or
ãfringeä or even
ãfuzzy edgeä and
my grandfather
used it in one of
his best poems
and i wish i could
find a word that
fathomous in
english because
i need it now
blow your fuzzy
harmonica paul
sing alexis with
that rasped voice
it's been that
kind of day simply

Árni Ibsen
stekkjarkinn 19, hafnarfjördur, iceland
midnight, september 10, 2003

***


SNAPSHOT 21

darkness closing in
yet still so still
soft so soft now
we're wrapped in velvet
contracting discretely until
we're in its tight
grip as if inside
an old cold stone

Árni Ibsen
september 17 - 11:30 p.m.
hafnarfjördur - iceland

***


SNAPSHOT 22

weather insignificant
neither summer nor winter
still lush and green
the grass along the brook
beyond fugitives' road
on the edge of town
the urgent steps
that trod it covered now
by single lane asphalt
on the still pond
that tiny reservoir
above the dam of quarried stone
remnant of the first water-works
worn wooden pipe half-submerged
(a tiny bird a wheatear alighted
before my eyes there a year ago)
while beneath my feet the water
seeps through between the stones
of the dam and the brook
crawls away gathering
momentum cold and deep
stroking the blades of grass
causing them to tremble
the mountains lining my horizon
have greyed slightly at the temples
soon to be white my own hair
is greying at the temples
back from my walk i play
bud powell's tempus fugue-it

Árni Ibsen
2:30 p.m. september 24, 2003
hafnarfjördur, iceland

***


SNAPSHOT 23
whenever gunnlaugur scheving
is mentioned the first thing
that comes into my mind is not
one of his magnificient canvasses
but the image of the man himself
a week before his death braving
the elements standing alone
on top of a mound by the sea
in akranes facing a raging south-
western storm and sketching the
bay and the mountains as seen
through the slanting rain the lapels
of his coat pulled this way and that
his face flushed by the wind the back
of his hands wet from sheltering
the pad and the tip of his pencil
árni ibsen
october 2, 10:15 pm
stekkjarkinn 19
hafnarfjördur


***


Stinnur vængur straukst við þig, snart hendur þínar
en án tilgangs - þetta var ekki kortið þitt.

         Mottetti, Eugenio Montale

                   A hard wing brushed past you, touching your hands
                   but to no purpose - this was not your card.

                                    Mottetti, Eugenio Montale


síminn er þögn                              the telephone is a silence
rödd þín berst af sjálfsdáðum      your voice delivering itself
sem einvera                                    as a solitude

ég er ólæs á hjarta mitt                I cannot read my heart
það er orðvana                                it is a reticence
skömmu fyrir innrás                    on the brink of invasion

titra lauf á vori                              the leaves of springtime shiver
undir málmkenndum himni       under a metal sky
sem víravængir strjúka               brushed by wings of wire

tónlistarflækjur                             tangled musics
sætari og ofsafengnari                 sweeter and more fierce
en hendur ráða við                        than hands can manage



Tr. Árni Ibsen                                Alison Croggon


***


overnight the trees

stripped bare by their

bachelors the winds, even

(the large glass) shattered

the image which reflected

my summer now for the

cold fast food buffet

instant winter playing

a slow game of chess

Árni Ibsen, 9:30 p.m.
hafnarfjšrdur
iceland

***


SNAPSHOT 25

a result possibly
of global warming
regulus regulus
aka the goldcrest
is beginning to
settle in iceland
according to the paper
excellent news since
it thrives on the
invisible evil
pine weevil and
given time may
possibly restore the
colour of my pines

Árni Ibsen hafnarfjördur iceland 8:50 pm

***


SNAPSHOT 26

[the crest of the snapshot year]
the northern lights have been
merrily playing the night
sky this week and a man
on the radio bemoans
the fact that we've lost
our ability to read them to
fathom the message of each
colour and the speed of
their wiggling he claims
winter would never surprise
us if we could read that
close encounter display of
the awesome kind same with
field-mice he adds the simple
fact that they either make
holes for the winter facing
north or south in order it seems
to tell us what kind of winter
we may expect cold or warm and
like the natural scientists
i go tut-tut from my sickbed
already forgetting my vow two
days ago that i'd better pay
heed to old wisdoms or as you
say 'old wives' tales' when
i bragged about not having been
caught ill since leaving my job
nine years ago and was promptly
taken ill that same night

árni ibsen
9:20 pm
october 22
hafnarfjördur
iceland



***


SNAPSHOT 27

as i stop at a red light
a dilapidated van pulls up
behind me and moans to a
halt its rusted sieve of
a body clinging onto itself
for dear life as seen from
a rear-view mirror its front
emblazoned with NAMSSERP
and beneath that daeha pets
eno syawlA i've only just
got the message as the light
changes and driving off i wonder
if how far behind with everything
i am could be measured and there's
a touch of frost in the air this
afternoon and as dark falls the
first snow starts to fall

Árni ibsen
11:45 pm
hafnarfjördur
iceland

***


SNAPSHOT 28

in a theatrical context time
is the fourth dimension the one
that's beside ourselves the
rich bonus gained by journeying
through the piece chance
on the other hand let alone
sheer coincidence has to be
an attribute a hidden agenda
capsuled within time or buried
deep inside one of its secret pockets
one of which has to be that flight
attendant's breast pocket
from which he pulled that
curious copy of dostoyevsky´s
the double identical to the one
i had intended to take with me
on the flight to read en route
but inadvertently left behind
on my bedside table and surely
another secret pocket must have
vomited that other man with whom
i brushed shoulders in dublin
all those years ago and
startled by our resemblance
did a double take before he
disappeared in the crowd

Árni Ibsen,
midnight
november 6 2003
hafnarfjördur
iceland

***


[a rough reading] translation of Mark's snapshot
Svörðurinn blakkur sviðinn. Hér og þar
öskulag eftir tré, strokið
eftir vindáttinni,
líkt og vindurinn
hafi látið skugga eftir í leiðinni.
Á öðrum stöðum
þar sem vindurinn kom ekki
og bruninn hægur
er lítill hringur, beinlitað
hvolfþak,
þumlung kannski yfir svertum sverðinum,
far eftir gengið tré
greinilega merkt um stund
(uns hvessir aftur)
af því sem eldurinn lét eftir.


Árni Ibsen


***


SNAPSHOT 29

moon wading through clouddrifts
or else cloudwaves slapping against
the bow of this pale skyship ghostsun
while glen miller's lazy moonlight serenade
laps the airwaves moored to a past
floating me back to a time never lived
a distant war never experienced but
through tales in celluloid a curious
nostalgia for an invented image until
this alien line of voyage is split wide open
by a passing car radio blaring full-blast
that insistent line sweet child in time from
deep purple in rock some bruised rock of this age

Árni Ibsen
11:48 pm
november 12 2003
hafnarfjördur,

***


SNAPSHOT 30

defenseless
my emptiness opens
as i greet him
not a shadow
of doubt when
he states that "today
is a good day"
bemused i enquire why
he tells me the reason
"i get to spend a lot
of time with you" and
my emptiness closes
around the moment a transparent
bubble that i'll carry
until matted by time

Árni Ibsen
hafnarfjördur
11:30 pm
nov. 19. 03

***


SNAPSHOT 32

if time has colour it is
the musky colour
of this insignificant day
where everything threatens
to turn brown
if time has sound it is
the sound of this empty house
on this musky day
where everything threatens
to turn brown
recalling the fitting odour
a tap discreetly leaking
cringing at the sound
of each drop as it shatters
in the kitchen sink
the near silent moan
of a floorboard
imagining it's turning
turning in its sleep
casting a furtive glance
at the other floorboards
sleeping soundly alongside it
on the floor silently wishing
it could join their common floorboard dreams
not realizing it was woken
by the tired complaint of the rafters
that no one's noticed
since the house was built
if time has a face it is
the face in the faded faded mirror
on this musky day where
everything threatens
to turn brown

Árni Ibsen
11:15 pm dec 3 2003
stekkjarkinn 19
hafnarfjördur
iceland

***


SNAPSHOT 33

will the dark
     will it not
          relent
repent...

almost eleven
      already
          ay-em
at that

     too
...!

     and the dark
           the dark will not
will not let go

     i decide
           to keep all
                the lights on
     if only


for today ...

      and it's there ...

           all there ...

Árni Ibsen
11.50 pm
hafnarfjördur
iceland


***


SNAPSHOT 35

dry afternoon
      but neither long
            enough nor windy
enough to
      merit
            the happy name
of paupers' dry spell
      whereby the poor could
            wash their only
clothes in the morning
      and put them back on
            on the eve of
december 24 our
      meal's in the oven
            the city grows
quiet the house
      smells like christmas
            already and
the usual visitors
      start dropping by
            bringing gifts
the grumpy old
      sisters arrive
early this year
      revelling in their
            dislike of each
other loving travelling
      together on this
            particular day
of the year well-wishing
       throngs our tiny hall
            the open door
blocked by goodwill
      and a surplus
            of peace as
solemnity sets in our
      christmas begins
            at six
on christmas
      eve at the sound
             of the bells

Árni Ibsen
december 24 2003
5:30 pm
hafnarfjördur

***


SNAPSHOT 36

sun
     returning
          we're burning a
big black
     hole
          in the dark
filling it
     with hope
          bright coloured fire
fire
      works
          lighting up
night's sky
     the door
          open yet
again the
     floor           awaiting (truly) dancers real dancers
      'mañana habrá'¡            que
inventar
     de nuevo
          la realidad
de este mundo'
     with you
          beside me
everything
     but everything's
          possible
and i
     do love
          you
we have
     another year
           at our hands
my love

Árni Ibsen
december 31 2003
&january 1 2004
finished 02:30 am
hafnarfjördur
iceland

***


SNAPSHOT 37

end of tale
     the tail end
          of twelfth
night the
     lights still
          on at
awakening
     and off
          at the
drop
     of
          an
eyelid
     mine
          eyes make
ready
     to adjust
          a new
tale of colours
     lurking
          inside
the greyness
     of wintry
          things

Árni Ibsen
09:00 am january 7 2004
hafnarfjördur
iceland

***


SNAPSHOT 38

winter
     at last
          my dirty

shirt my
     greasy
          hair

finally
     my very own &
          very very winter

and all
     the work
          remaining

awaiting
     the news
          yes

árni ibsen
hafnarfjördur
nigh midnight, january 14, 2004
hafnarfjördur
iceland

***


SNAPSHOT 39

this time of year
we hear soft-spoken
reports
of people gathering
under looming mountains
in remote fjords
for their annual
sun-coffee
perhaps even
sweet sun-pancakes
the virtue
nigh obsolete of
quiet celebration
at seeing the sun
light again gold
rimming the rimy tops
and deep within
a heavy wooden
pendulum hits a dim
knell quieting
the present tinkle

árni ibsen
hafnarfjördur
iceland
very late



***


SNAPSHOT 40

the calmed weather the pond still mirroring a still sky biting cold
everything on hold except a flock of cackling geeze that have
arrogantly
crossed the busy road to tear at the frozen grass on the traffic island
while further down still standing on the edge of the brook two stout
sedge-straws poised like clergy their priestly ruffs of ice still
attached
to the high water mark calmly preaching the coming of spring to deaf
ears


árni ibsen
hafnarfjördur iceland
10:00 pm
january 28 2003

***


SNAPSHOT 41

days by now
stretching
adding over six
minutes
each eroding
gradually
gnawing away
at night the
coffee lights up
losing
taste silence
snubbed
by elocution
night illuminated
eliminated

árni ibsen
6:30 pm february 4 2003
hafnarfjördur iceland

***


SNAPSHOT 42

time
that time
missed it
again!
hmppphh!
again?
C'MON! ... was
else
where
submerge ...
d in some
one else's
dead books
of some kind
of yore (a word?)
with tears
and all
someone
dead
gone (to do,
or not (possibly),
with me) ...
a-hem ...

01:20 am
february 11 2004
árni ibsen
stekkjarkinn 19
hafnarfjördur
iceland

***


SNAPSHOT 43

i leave iceland
on monday
vacant mind
stark cold light
sun in my eyes
northerly breeze
land in copenhagen
and it's warm
foggy
soggy

i leave copenhagen
on wednesday
vacant mind
stark cold light
sun in my eyes
northerly breeze
land in iceland
and it's warm
foggy
and indeed
you've guessed it!

árni ibsen
around midnight
february 18 2004
hafnarfjördur
iceland

***


> SNAPSHOT P'RAPS HOT >

> snapshot
happhoezard
> sitting here
shitting there
> all retired
very tired
> life passing by
connive assing high
> but thinking
butt linking
> so enviously
ho viciously
> about all those
around gall's close
> snapshotters
happenstancers
> all you so lucky
ball u mucho cocky
> teaching in unis
reaching inison
> vast salaries
past maladies
> plush offices
rushed coffees
> air conditioned
nightmare
> p.a.s secretaries
pax vobiscum cranaries
> suited flunkies
united junkies
> delicious coffees
malicious offices
> danish pastries
swedish meatballs
> chilled waters
killed matters
> tutoring lecturing
motioning hectoring
> to enraptured students
woe the captured prudents
> kissing the ground
pissing the obvious
> that you walk on
what u chalk on
> international conferencies
interracial confectionaries
> symposiums pow-wows
sumptious punch & judies
> sundrenched beaches
rain quenched clichés
> cocktail parties
mock-mail farties
> hats on drinkies
malt's on trinkets
> so delicious
yo suspicious
> loose bikinis
choose surreptitious
> little sandwiches
toasted crumpets
> lovely all tasty
heavenly and wasty
> think
fink
> I shall
my gall
> have another
ever bothered
> warm croissant
armed to the crux
> read the paper
mead me draper
> a humble decaff
that bumble recap
> write a poem
trite that golem
> and relate happily
wand belated snappily
> to the cat.
tho' le chat

> > pmcmanus 9am
> raynespark uk
> n364

treated by
or impregnated by
árni ibsen
at midnight february 18 2004
hafnarfjördur iceland
in unconditional admiration of pmcmanus

***


SNAPSHOT 44

a brand new grey jeep parked outside
engine running lights on
the driver checking his watch
while speaking on his mobile
(my phone remains silent
i'm not expecting visitors)
the driver turns off the engine
steps out into the street
wearing a moss-green overcoat
solemn faced carrying documents
he walks down the street
his left leg considerably
shorter than the right leg
his gait both sinister and comic
further down several grey jeeps
are parked each emitting a man
wearing a light moss-green overcoat
solemn faced carrying documents
one leg shorter than the other
all those moss-green coated
solemn men quietly file limping
into a house further down the street

árni ibsen
high noon
ash-wednesday
february 25 2004
hafnarfjördur
iceland

***


SNAPSHOT 45

ah! warm breeze
at least
by our standards
even though the sun's
at odds
with light
indeterminate clouds
feigning anger
emitting
a rather poor
imitation
of rain
somebody's
dressed as spring
in heaven's
masked ball
earning only
special mention

árni ibsen
9:15 pm march 3 2004
stekkjarkinn 19
hafnarfjördur
iceland

***


SNAPSHOT 46

who would have thought the old man to have had so much water in him and such
playful calculated fury the rain's hit our house squarely in the face for
almost a week now our windeyes swollen and soaking and we have the drenched
promise of no let up for a few days more

a beautiful pregnant woman is making a case on the wireless in praise
of the genious of plain simplicity and begins by playing bang bang he shot me down
bang bang i hit the ground bang bang ... her face a smiley her cheeks
flushed her eyes wide in wonder her baby due in a few days

the treacherous shallows and the sands on the south coast claim yet another
trawler the crew rescued this time by courage skill and technology before
camera eyes while such worldly goods as catch hull nay hulk and trawl are
slowly but surely munched by shifty grains of sand in a few days

árni ibsen
12 noon, march 10 2004
stekkjarkinn 19
hafnarfjördur
iceland

***


SNAPSHOT 49

end of march a
         dying winter
                  made the most of
his last breath
         hurling a lame
                  blizzard at us
now uncool
         slowly
                  surely
the snow
         melts reluctant
                  to let go

árni ibsen
11 pm march 31 2004
hafnarfjördur
iceland

***

SNAPSHOT 50

there's that parcel again
that long-lost parcel
admittedly a bit thinner yet
bound with the same old string
without its poem of origin
nesting now in a different one
perhaps one it has gathered
through time like moss
and it's turned pale blue
it never was blue before
it had simply the hue of
pale yellow and brown as
the lost poem in question
and now there's an alien text attached
telling me what's inside
and it does seem to make sense

árni ibsen
11:47 april 7 2004
hafnarfjördur iceland

***


SNAPSHOT 51

it's
next morning
already i'm
saying to myself
you're feeling
you're behind again
thinking
i'd better make it snappy
writing a brief text
that'll assume the guise
of a poem
like this day
which seen from a window
looks so like summer
so bright
so clear
forever is visible
but the wind
betrays the disguise
and i know
a biting northerly
is snapping at the buds
and come afternoon
the sun will be dimmed
by dust
loose soil
brought to us
by windy airmail
from the interior
but sitting down to write
my trouser button snaps
and i must sow it on again
making the waist wider
before anything else
can happen

árni ibsen
first light april 15 2004
hafnarfjördur iceland

***


SNAPSHOT 52

not
    the last snapshot tho
      leaving
tamarraw on a
   jet-plane
      soon to be back
again yesterday
   a mad mad
      mad hunt
for decent airfare
   finally settling
      on a via frankfurt
ticket incredibly cheap
   which late tomorrow
      will take me
into moscow
   russia
      getting a visa
in 24 hours
   an experience
      worthy of story
today the end
    of winter
      and tamarraw
first day of
    summer

árni ibsen
5:15 pm april 21 2004
hafnarfjördur iceland

***



Poetryetc is a listserv relating to poetry and poetics which provides a forum for poets to debate their critical and creative work. The list has over the years run a number of projects for its members, of which Snapshots has been the most enduring.

Every Wednesday, Poetryetc members were invited to post short poems on any subject or in any form they chose. The idea was to make a poetic collage of instamatic “snaps” of that day that reflected the international membership of the list. The project has generated an astounding number of poems.

The first two runs, of six weeks each, and the first ten weeks of the third run, are archived at Wild Honey Press www.wildhoneypress.com under Poetryetc Project. The rest - amounting in all to a run of a year - are archived here.

Poetryetc, like its affiliate Salt Publishing (http://www.saltpublishing.com), was founded by Australian poet John Kinsella. Salt is managed by Christopher Hamilton-Emery (cemery@saltpublishing.com), while Poetryetc is owned by Alison Croggon (ajcroggon@bigpond.com). Poetryetc is now archived at http://www.jiscmail.ac.uk/lists/poetryetc.html. and anyone interested can join from that url.

To contact the listowner: Alison Croggon


These pages are designed, maintained, and hosted by Rebecca Seiferle, the Editor of The Drunken Boat. To email.


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