Charles Fishman is a Associate Editor of The Drunken Boat _______ Country of Memory is published by www.uccellipress.com _______
Author's Notes:
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Charles Fishman
Paul Granger's Wound You were the smallest, Paul the shortest, leanest, blondest, bravest in our crew-and you have retreated less far into darkness. I remember the day that would etch your wound into my mind, each catch and notch of memory glistening with your blood. There was bright sunlight and deep blue sky a blaze of white roses and the dark gray haze of the new state road the highway commission had bulldozed into our lives. You were wearing a round-necked polo shirt and rolled-up jeans, a black leather belt and high-backed sneakers. Zigzag stripes crested on your chest in vertical waves that flowed from neck to groin: a map of some watery terrain no friend or parent could decipher. I remember how the dark blue denim rippled over your thighs, the lapping rivulets at your knees, the way your gold-brown hair was parted. At our water hole between parkway and woods, your clothes dropped off and you dove into the cold spring water all of us knew to be sacred: a dark pool released from the dictates of nature where we could breathe without constraint without the harsh odor of fear or desire stinging our nostrils. You dove and we cheered, living for the moment in the rare oxygen of the underlife you had plunged into feeling again the icy water of time wash over us. And then you broke the spell, bursting the surface as you held up your hand, gashed open with that raw diagonal slash that even now, five decades later, wildly pulsesthat wound written deep in your flesh with the jagged edge of glass from a smashed beer bottleyour ruined hand held up for us to witness in all its bloody splendor your wound, Paul: the sky ripped open just when we needed it whole. With Jack in Egypt Suddenly, I'm feeling old even ancient. Sitting in Jack's house, I listen for the tapping of his fingers on the 1937 Underwood as he pops another benny and breaks into song into that jazz cantata he beat from the drum of memory from the pulse and passions of friends from the dream of connection. It's certain that the gods of writing visited Jack here that his spirit lives here still under the old scuffed floor between the rusting coils of the vintage electric stove behind the half detached head- board of Jack's old bed and in the huge dynastic oak that spreads astonishing wings over each limb of this small gray house. I think of Jack tapping so rapidly on those 46 keys calling back with each bhikku word his days with all the lunatic greats of New York City San Francisco Mexicali L.A. his backwoods North Carolina home his burials and dis- interments the cold jolting slides along California's astral coast the dark midnight freights that held his soul captive And then in a down- pour of icy January rain I hear Jack tapping grace- notes onto the scrolling page: his white-magic tantric spells and blitzing ecstasies his prayers for release from the dark 50s furies of America, as if he were a spirit who could not find his Egypt. And, suddenly, I remember our South Bronx walk-up earlier still than Jack's rise to fame Wheeler Avenue: wide asphalt street of my boyhood lined with leafy trees the light burning down through curling branches a soft blue flame and the cool hardness of the stone steps that led back into the building. And then I see my father in his wool shirt and baggy khakis his black hair already whitening, his strong fingers tapping the cigarette case in his pocket and my mother leaning back in the sanctum of her kitchen almost at ease in that blue plastic seat, taking a few quick puffs and letting memory play. I remember the Philco radio that moaned all day and chanted into the evening its green and amber dials glowing how the black-crowned heron sky rose with a mystic fire that threw bright sparks of history into each room and how, after bedtime, the closet door loomed like an unextinguished hearth like the sealed gate of a king's crypt in Egypt. I remember how the night carried me beyond the city lights into a desert garden where I walked slowly- a prince in flowing robes- or sat, cross-legged, in the cotton shroud of a prophet and, once, how I was set down so gently amid ten thousand splendors wearing the heavy mask of a young pharaoh doomed like Jack to die to lie down golden but far too early in the Blue Nile sleep of eternity. And now, at last, I recall how I woke to the sounds of a new epoch to the rich perfumes of life to a wild sunlit music to ghost feluccas sailing: with Jack in Egypt our fingers grasping for the last loose sheaves of papyrus floating past and pulling pure pearl light from the moon. The Get 1 The coldest December night, a billion stars frozen in the sky, and we two together for this journey unto death . . . No, it was not the cemetery of short lives we were visiting nor the morgue of aborted dreams. We were gliding toward the end of our marriage—such a cold ride! 2 Where did we arrive if not at the place of execution? Had not a priest in white robes invited us? And his assistants in the murder—were they not attentive and obedient? And did the ceiling not open then, so that the white sky was revealed? 3 I saw you tremble as you neared, saw the tears well up— your eyes were streaming. You were unsaying our wedding vows, and I was your gifted partner. I saw that your breast had been pierced by a small, fresh-hewn gravestone. You were beautiful again in your broken body and you held the world in your arms. 4 You held the world, and it was the record of your wounds. Yes, I recall it now, my darling, how the sky shut down and the stars vanished like wraiths. Then the rabbi pronounced us dead: we were strangers on the planet, and the field we walked on was stones. 5 How cold it was! How unyielding the blackness! Yet we returned to the train together, our lips shut as if with a seal of fire, and there was a deep snow falling inside us. Who were we now, as you leaned once again toward me, as I held you tight? ![]() |
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