On your tongue the letter “H”
sleeps when it should
be awake and sashays when it should
sit
still. It’s then that you offer me
weather
that you don’t want: windows of
rain that are
flung open; a sky of suede cement
dozing
on its navel. Here, I am sandwiched
between
butterbeans and moonlight. Florida:
this country unbuttoning the sun.
Soon,
you will be four cities of memory.
Soon,
there will be a triangle of quiet;
soon
my tongue will wonder why
chocolate eyes
two eyes that blink and sizzle. Two nights
ago we passed a manhole cover
painted
like bistecca florentina with tapioca bubbles.
The smoke that twined from this
city’s
skillet seemed to gallop over
supper’s room
temperature antipasto. I hope so. I so hope that life
can tell the difference between
vanilla and hell.
And if love is an investigation let
me suggest
a detective: then one day my
insecurities
will wait in a queue so long that they
will eventually about face, know
home.
life is a line
no one
should cut.
We cold, we cold. Sorry
we cannot
accept thoughts
of 17
dinars or less because beyond
the emporium, English
literature is a movie ticket
that should be defenestrated. My
condolences
to all the furniture in the third
world and the bikini
Philistines. How cold ridge
of you. Please do not
irk a plus-sized Happy
Meal because
Santa Claus is coming to Town
Hall: Police Navidad.
Police
Navidad… With a dose of opium,
Kubla conned
the age
of reason into thinking
it would think forever. If you
can,
toggle your bottom
lip to some sheet music. . .
where whole
notes
stand-in
for eye
sockets
their gaze
pong-pings
between Porlock
and Linton: over yonder, one
thousand
300
(and)
twenty
feats
from Culbone.
P.A.L.I.N.D.R.O.M.E.
(after Terrance Hayes)
On a word tour, a quintet of “es” bops up & down streets 3-letters long. In Rome
they wanted more,
even formed a line as long as
the Nile.
A real pane
in the nape some dame made us late,
made our ride
to the club dire.
The car’s FM dial
so laid-
back the music hovers five feet in front of this coupe
de chill. Made-
moiselle we
rehearse backwords and forwords. And although I’m a linguistic drop-
out, do you Parlez vous bebop, its lemon lime-
light? Do you ever let your eyelashes sweep some line
-r notes? Damn, it’s already 8, which is 3 eyeing itself
in a mirror more
and more.
Late for the gig, my fallen cymbal: the sun KO’d, flat on
its back. Dixieland.