“Evolution” was first published in Divan, and subsequently appeared in the collection Torn published by Plateau Press. “Conscience” and “Innocence” also are from Torn by Plateau Press. “Dreaming with a Head Full of Cicadas” is from JFK’s new book Ophelia’s Codpiece ________ Both Torn and Ophelia’s Codpiece can be brought through publisher links on JFK’s www.poetinresidence.com. ________ For more poetry from Australia |
Jayne Fenton Keane
Evolution You are the split in my umbilical core. An ancient mitosis that breeds in my magma. You make a shameful cruel law out of me call me science and pray for a god. I hear you, hear your prayers but it’s the same technology of immersion and when I curl in the formalism of your genes I feel an abyss of looted barren proofs. You are the blister of fishy mud in my skin a kerosene note in my stumbling a flake of coral on my panicked tongue a stormy equilateral in this fleshy womb-hammock. I am androgynous and slippery with proof of you decorative and hesitant in the face of you I am buried in your ochre and sitar-flesh a skinned blue rhythm stretched out on your scars. There is a matrix of catacombs in its beat, as timeless and devout as sorrow. You are my lungs, my dam, my tissue of public my teat and its mandala of emergency. There is a comma stretching from mouth to eye that punctuates our breath between each coupling. In the script of these four quoted eyes in the legacy of their transcription I study the altitude and taste our galaxy as the question of extinction burns on my lips. Conscience When I trussed those chords around your throat yanked and yanked them there was no sound your head already a broken bell. I hear you echo around that bronze chamber so still so solid so silently cracking. Innocence they visit you as fraudulent conservators blueprints and integrity at the ready as they scrub your pubic hair down to the bone and sketch a white frame around your sex they hang your image between synthetic palms lather you with sepia and civilization but you have already washed your disciples have fractured their angels in your stainless steel sink Flying High The object was the storyboard. How to snap thigh and breast plausibly into the plot. How to miss and yet not miss the subtle inflections of her eyes as she invites you to come and yet not come, into a scene of pouting stewardesses, when you already know the plane is going down any minute. Your jaffa smile tastier than their waxy lips, smudges into a fixed clown-grin as you press the chocolate and erotic chocolate dreams into the damp patches of your arm and its desolate hyper real jaffa tasting bachelorhood. The sound turns dissonant without warning. The plane, the plane is going to crash, and yet not crash, its cargo of stunning women pleading for you and rescue, but mainly for you and to die for you. To prove it they rip off their clothes as the plane plummets towards the ground. But you can tell by their lips and perky strawberry nipples that a miracle is at hand and soon you will be up there cutting through terrorists and planting orange flavoured kisses all over their bodies. Dreaming With a Head Full of Cicadas spring enters.. mouth full of blossom.. tongue painted with desire.. her language is a garden budding with welcome hidden in her eyes are nests full of desire. . . her hair is a lush fragrant waterfall of garden.. drink drink says the soft shiny fall that curls around her cheek.. do not cover your mouth.. open it as wide as you can.. do not cover your mouth.. catch the rain that flows from her neck.. do not cover your mouth.. there are a thousand leagues of lightning buried in the sea where lovers call.. but the world does not hear them.. what they say when they say goodbye is more sorrow than oceans can contain. Their separation rage destroys villages plunders primitive skulls in burial grounds. she streams he meanders too much glistening in the memory all beauty vain without her all desire frozen without him she tortures he tortures children are not born simplicity how cloud-animals starve in paradox and virgins are sacrificed in praise of light you are a tough nocturnal root… dense in your dark twisted signature of song… an aboriginal digs you up… carves into you… to free you… to liberate your song he says abandon yourself to my lips… i give you freedom through the stories i will compose in your body… i paint this lizard onto your sternum… a totem of ancient wisdom and equilibrium… where you are ……………………….poikilothermic
i could make honey ants sing in honour of your sorrow
your doubts will tone my serenading lips and rejoice in my heart and croon in my blood my skin will weep with joy transpiration and transformation the bond of musician to instrument that cannot be broken. and in the sensuous broody rise in your crazy i will lament until your heart is free to love again. i can see your shape in the wood
and i will be home again
in your spirit and flesh, and we will dance until our spines holler and our mouths shriek to the faith we lost as lots of bones tumble in our skin and we crash to the ground as union as scattered remnants of flag
but still she cannot speak your name. without hope or desire or regret. beneath her hello is, come to me. beneath her goodbye is, stay with me. beneath your shadow of absence she will carry your flame. like a silent burning wound that will not heal. your silence its tinder. broody. sensory. She is a traveller trapped in a harbour broken on departures waiting for you to come home ![]() |
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